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the renaissance of makers: luxury, time, and making something tangible.

Decades of consumerism and globalization, coupled with greater levels of individual prosperity, have made traditional markers of luxury accessible to many. As a result, experiences like travel and fine dining are not the status symbols they once were. In their place, a new social currency is emerging, and it starts with time. Why? Time affords us the ability to make something tangible. And making the most of our time – or rather, using time to create something tangible – is the ultimate luxury.



making equals luxury. 

A thought experiment: what do you think of when you hear the word luxury? Do you think of rare ingredients, molecular gastronomy, and a Michelin starred meal? Lounging on a yacht in the Caribbean, sipping on bubbly? Cruising down the Pacific Coast Highway in a vintage, limited edition convertible during the day, resting in a five-star hotel with views over Half-Moon Bay at night?

Not to put too fine a point on it, but these traditional concepts of luxury are outdated. Why? Because they have become too accessible. Perhaps not accessible every day, but our economy has shifted to allow these traditional markers of luxury to be democratized to the point that they are available to and can be experienced by a much larger segment of the population. Save your money and any experience can be yours. Anyone can make reservations at a great restaurant.  Anyone can charter a boat for the day. Anyone rent that vintage convertible for an idyllic California road trip.

But if these experiences do not symbolize luxury, then what does?

Modern day luxury is not simply an experience you buy.

Modern day luxury means looking at, ironically, the one thing we all have in equal measure: time. How much available time one has, what one chooses to do with that time, and what they are capable of achieving in that time: this forms the basis for a new status symbol (of sorts). It is not necessarily time in the context of  “I have all the free time in the world”, but time in the sense that, “While I may have limited time, I am capable of using it efficiently, using it to maximize my potential, and can show a tangible outcome for my efforts.” It’s about having discipline. It’s about perseverance. It’s about evolving your own personal capacity to reach a place where you can master an art, and prove your ability to make something real.

Applying one’s (limited) free time to the pursuit of a new skill that results in the creation of something tangible – this brings us closer to achieving the new luxury, a luxury where making it, and making it well, is the marker of success.


why do we see maker culture.

The rise of maker culture can be attributed to many factors, but we’ll focus on the three factors that we see most prominently.

First, a rejection of the norms set by generations immediately before us. Those who flocked to “instant” solutions and saw the maker process as slow and tedious – one that could be eliminated or reduced by new technologies and new methods – believed that eliminating “the need to make” was a marker of luxury. While there are advantages to instantaneous results in certain contexts, instantaneous is also likely to mean mass produced, processed, or altered, and is unlikely to mean quality, natural, or healthy, making it highly undesirable in many circumstances (as we are coming to terms with more and more every day). Increased transparency into harmful processes and ingredients that go into what we consume – especially the “instant” version - paired with education about the way food affects our well-being have shifted our attitudes. As we learn to reject the “instant” version, we force ourselves to go back to the basics, and in doing so, re-learn how to prepare a version from scratch. In other words: make it.

Second, it’s a response to the fact that, for many of us, we don’t actually make things in our daily lives. Deals closed, code written, cases won, strategies implemented – we work in intangibles all day long, none of which amounts to something we can hold up and say, “I made this.”

Third, looking specifically at the food context, it’s the proportional response to the now widespread, on-demand availability of pre-made meals. While UberEats, Postmates, and the like are amazing (and we can’t imagine life without them), we don’t associate them with special occasions. We associate them with work and a lack of free time. Late nights at the office spent on due diligence, drafting deals, waiting to complete another turn of a document – this inevitably goes hand in hand with some kind of meal, delivered to the lobby of the office tower where you toil.  To that end, while the convenience of on-demand delivery may have started as a luxurious access point to whatever food you desired, it has turned the act of eating take-out to yet another way you can be kept at your desk. In contrast, the act of making your own food, feels like a luxurious departure from the office; a marker of freedom and life outside. And so, in defiance of a world where we are expected to work more and more, there is something liberating and sacred about the act of not ordering in, and instead, making food for yourself.

As these three cultural waves collide, we are thrust into a search for quality and authenticity, finding out that we relish the opportunity to put our free time towards creating something tangible. In part, this means returning to processes likened by our grandparents’ generation – a time when making it was the only way to get it – but it also means looking for modern tools to take what we’re making to the next level.


where we see maker culture.

The new luxury behind makers takes many forms. Do you hand-make guitars in your spare time? Create custom joiners to build bespoke, Japanese-inspired shelving? The luxurious outputs of maker culture are everywhere. But, perhaps, nowhere is it more apparent than in the kitchen.

Recalling two recent conversations with acquaintances in New York:

The first, an investment banker: “At the end of the week, exhausted as I might be, there is something so satisfying about cooking. Even if all I do is make a steak, it makes my entire week feel better. I am in control. I can be creative. Just being able to make that one thing makes me feel real again.”

The second, a partner in venture capital: “In this job, I am always working, always juggling. Even though I have little free time, I really like to keep busy – I don’t want to come home and just stop. I’ve started baking. I like to perfect things. Next on my list is croissants. It’s going to be challenging, but I think, five or six batches, I should be able to perfect it.”

And, a few posts from that caught our eye on Instagram:

Instagram Makers - Guy Raz, Tim Ferris, and Andy Dunn make food on instagram.

Makers in action: Guy Raz (How I Built This) makes his own yogurt. Tim Ferriss (investor, entrepreneur, author) makes his own bread, then sandwiches. Andy Dunn (Bonobos) makes his own vegan food. 

This is merely a glimpse into what is happening in the kitchen, but it would not take long to compile a long list of instances where people are heading to the kitchen in order to make – not because they have to, but because they want to. Friends getting together to orchestrate elaborate dinners – each designed to outdo the next. Perfecting a dish so that it rivals your favorite restaurant’s version. Stocking up on seasonal produce to pickle and preserve, knowing how good it will feel when you can whip out a jar of something you made yourself. Fermenting your own kombucha. Preparing your own limoncello. Baking your own bread. Custom infusions as the base for your signature cocktail.

As the list goes on, the sentiment remains: everywhere we turn, the version that we made reigns superior to one we bought; perhaps, in part, because it represents the culmination of research, learning, understanding, and execution of a new skill set that results in making something real. And those who are able to perfect even one creation can rest easy knowing they too have achieved luxury.


how do you become a maker.

Maker culture is founded in the idea that before you make, you must understand. And maker culture in the kitchen is no exception. As such, with the rise of makers, we are seeing a surge of interest in understanding our food. From understanding where our food comes from and how that impacts flavors, to understating how to prepare, combine, present, and serve – there is a lot to understand and master. One must invest time understanding the details and effort mastering the technique if they want to truly perfect the art of making.

The rise of maker culture has also spawned a shift in the kitchen – meaning a shift in who we see cooking and who we see perfecting the food they prepare. Maker culture does not mean lawyers are leaving private practice to start over at the Culinary Institute of America. Instead, it means that one can continue their professional pursuits while simultaneously levelling up in order to master the art and science behind making.

As Ensembl explores this renaissance of makers, we’re compiling our own list of “maker education” – where we’ve gone, and where we continue to go to learn more about food, wine, cooking, hosting, etc. We are also compiling stories about some of our favorite people that embody what it means to be part of this new wave of expert makers. Stay tuned for more.

PS – if you love to make, we’d love to hear from you. If you enjoy spending time in the kitchen – whether that means perfecting a recipe or simply experimenting with flavors as way to wind down – we want to talk and learn more about what you’re making, when you’re making, and what inspires you to make. Please get in touch with us:



This editorial is part of a broader discussion on the rise of maker culture, the intersection of food and science, and the future of food. I had the privilege of speaking to Maggie Spicer (co-founder of Douglas), Charlotte Langley (Chief Culinary Officer of Scout Canning), and Christopher Bleidorn (chef and owner of Birdsong) to continue the conversation. The editorial was also posted on Medium.

Thanks to Raj Mukherjee, who not only loves to spend weekend hours with me in the kitchen, but has spent many hours discussing the rise of maker culture. He also spent many hours helping me think about, write, and edit this piece.

And, a special thank you to my dear friends Chris Guerreiro, Saro Setrakian, and Lauren Heuser — my favourite people to make food with and food for.



about ensembl.

ensembl is a modern housewares brand. the name ensembl means come together. and we are creating tools to help you do just that. we're committed to re-engineering the fundamentals of the kitchen so that form and function can come together to create the next generation of tools for our home.

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